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Alliance relaunch highlights the geography of learning

Rachel Sauer — Wed, 12 Nov 2025 01:31:02 +0000

Alliance relaunch highlights the geography of learning Rachel Sauer Tue, 11/11/2025 - 18:31

Supporting the relaunch of the Colorado Geographic Alliance, ��ɫ��Ƶ Department of Geography aims to emphasize the interdisciplinarity of geography

The ��ɫ��Ƶ Department of Geography is supporting the statewide relaunch of the Colorado Geographic Alliance (COGA), an initiative that promotes geography education at all levels.

The department is hosting a public relaunch celebration from 5:30-7:30 p.m. Monday, Nov. 17, in room 235 of the University Memorial Center.

If you go:

What: Colorado Geographic Alliance relaunch—free and open to the public, registration requested

When: 5:30-7:30 p.m. Monday, Nov. 17

Where: University Memorial Center room 235

Can't attend in person? Join the Zoom from 6-7 p.m. https://cuboulder.zoom.us/j/93774860010

Learn more

COGA provides K-12, college and university educators with lesson plans, hands-on activities, workshops and professional development and aims to promote and foster geography’s interconnections across environmental sciences, geographic information and data sciences, social sciences and the humanities.

COGA, which is part of a network of 54 geographic alliances across the United States, was founded at ��ɫ��Ƶ in 1986 as a collaboration between ��ɫ��Ƶ, Colorado university partners, the National Geographic Society and Colorado geographers. Colorado is one of the original seven states in the Geography Alliance Network.

The alliance was founded, in part, to provide resources and professional development for elementary and secondary school teachers, address policies related to geography education at the state and local levels and expose the public to activities related to geographic knowledge.

In relaunching COGA, leaders in the Department of Geography note, “We believe the inherent interdisciplinarity of geography provides an essential foundation for tackling the opportunities and challenges facing Colorado by providing students with an integrated set of skills to meet an ever-changing job market.

“This initiative will center Indigenous knowledge, focus on under-resourced schools and communities and highlight the value and experiences of Colorado’s diverse communities. We seek to communicate the importance of geography as both a public resource and a science for the common good of all Coloradans.”

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Supporting the relaunch of the Colorado Geographic Alliance, ��ɫ��Ƶ Department of Geography aims to emphasize the interdisciplinarity of geography.

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Players roll the dice on the healing power of collaborative fantasy

Rachel Sauer — Fri, 07 Nov 2025 22:22:42 +0000

Players roll the dice on the healing power of collaborative fantasy Rachel Sauer Fri, 11/07/2025 - 15:22

Cody DeBos

At the D&D table, says ��ɫ��Ƶ humanities scholar and gaming podcast host Andrew Gilbert, everyone has a voice

You can often find Andrew Gilbert behind a cardboard dungeon master’s screen, scheming up new ways to derail the carefully laid plans of the other players at his Dungeons & Dragons table. The game has been part of his life for decades, and as D&D gains a larger foothold in the mainstream, it has also become a powerful avenue for friends to connect, laugh and heal.

“It’s such a fascinating way to connect people through story. But it’s a story with limitations and rules,” says Gilbert, a teaching assistant professor of humanities, game studies and media at the ��ɫ��Ƶ Department of Cinema Studies and Moving Image Arts.

In September, Wizards of the Coast studios released Heroes of the Borderlands, the game’s most expansive beginner-friendly box set yet. It arrives with the goal of helping a new generation of players roll their first d20s.

Andrew Gilbert is a ��ɫ��Ƶ teaching assistant professor of humanities, game studies and media in the Department of Cinema Studies and Moving Image Arts.

Gilbert and a group of friends have been doing so together since 2018, broadcasting play sessions from their campaigns online via the Goats & Dragons and Helpful Goat Presents podcasts.

“When we created the show, we knew we wanted to play games in a way that centered player experiences and collaborative storytelling,” he says.

The group’s campaign is now approaching the end of a years-long adventure, which has included guests like The Lord of the Rings actor Dominic Monaghan along the way.

The hobby has brought them closer together and created no shortage of memorable moments. But that’s just one facet of Gilbert’s connection to Dungeons & Dragons.

After years of rolling dice and telling stories, he’s come to see the game as something far bigger than fantasy. But why does D&D, a game first published in the 1970s, still captivate us today? How can a tabletop game rooted in imagination compete with video games, AI content, and near-constant digital simulation?

Gilbert has a few ideas.

Still captivating after 50 years

At its heart, D&D is a storytelling engine. Unlike books or movies with fixed narratives, tabletop roleplaying games ask players to improvise solutions, make moral decisions, and stay in character. Players sit around a table (or communicate virtually) and collaborate to tell a story where no one knows how it will end.

“It’s a fascinating form of media where, to a certain extent, the audience are the creators of the media at the same time,” he says. “There’s something wild and magical and fun about giving up control of a story to the group and to chance itself with die rolls.”

Gilbert first encountered D&D through a cousin who taught him to play when he was just 7 years old.

“I was hooked right away,” he recalls.

Years later, as both a scholar of games and a long-time player, Gilbert is fascinated by the emotional and social experiences D&D fosters. No longer seen as just an escapist fantasy game, D&D has become a catalyst for community building.

“There are social and emotional dynamics happening in every game,” he says.

That community is what makes Dungeons & Dragons so special, says ��ɫ��Ƶ scholar Andrew Gilbert; whether players are battling monsters in an imagined fantasy world or conquering their own internal demons, the table becomes a shared space where anything can happen. (Illustration: Wizards of the Coast)

At the same time, D&D is incredibly accessible for newcomers. Today, with an updated rule set and a plethora of digital tools to simplify the experience, that’s truer than ever, Gilbert says.

“Literally, you can know nothing about Dungeons & Dragons, and I can teach you how to play by just doing it. All you have to do is tell me what your character wants to do, and then someone who knows the rules can say, ‘Great, roll this dice, add this number to it.’ You really don’t even need to know the rules before you start playing,” he says.

He believes that’s a big reason why the game has endured for half a century and is still growing.

“A lot of us were worried the growth we saw in 2015 and 2016 was a fad that would sort of fade. But then we got the pandemic, and a lot of people started playing as a way to connect with friends when there was nothing to do but play games at home. And, of course, you have a ton of content creators making content about the game professionally,” he says.

“It’s just a perfect storm of factors that have shot the popularity of D&D through the roof.”

Healing through character

Sometimes, though, the game is about more than enjoyment or even storytelling. For many, D&D and games like it have become tools for healing from past traumas or building crucial social skills in a safe environment, Gilbert says.

“There are so many stories about people using the game to work through trauma, including some really cool research about games and PTSD specifically. You can just not be you for a little bit,” he says. “I’m not always a proponent of pure escapism, but it releases a tension. Whether you’re remembering your character doing something or remembering something that actually happened, your brain goes through the exact same process.”

He adds, “With D&D, you can create all these beneficial, healthy memories of not being the victim of some trauma but the one who solves the problem.”

"There’s so much good. The act of collaboration, of creation, of working through issues in the game. It’s something we talk about in my class a lot. These things are hard to navigate, but it’s incredibly helpful to learn how to navigate them."

Gilbert also acknowledges how roleplaying games like Dungeons & Dragons can be deeply meaningful to people who don’t always find social interaction intuitive.

“The idea of how to just construct scenes and conversations is really, really helpful for individuals on the autism spectrum,” he says.

Part of that comes from the game’s structure. Unlike everyday conversation, which can be unpredictable and overwhelming, D&D provides a clear set of rules and roles.

“There’s an element of learning how to pass the microphone, which on a very basic level is just good practice for conversation,” Gilbert says.

Indeed, research suggests that D&D and similar games can be used therapeutically to build communication skills, reduce stress, and foster a sense of community among people who may struggle to connect.

That community, Gilbert says, is what makes the game so special. Whether players are battling monsters in an imagined fantasy world or conquering their own internal demons, the table becomes a shared space where anything can happen.

“There’s so much good. The act of collaboration, of creation, of working through issues in the game. It’s something we talk about in my class a lot. These things are hard to navigate, but it’s incredibly helpful to learn how to navigate them,” he says.

As new players crack open Heroes of the Borderlands or learn the game from a friend, they become part of a decades-long tradition that values creativity and connection in a world that is too often devoid of these qualities, Gilbert says, adding, “We keep finding new amazing things about this game, and it’s only getting better. The possibilities are just limitless.”

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At the D&D table, says ��ɫ��Ƶ humanities scholar and gaming podcast host Andrew Gilbert, everyone has a voice.

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��ɫ��Ƶ commits to green chemistry

Rachel Sauer — Tue, 04 Nov 2025 18:47:17 +0000

��ɫ��Ƶ commits to green chemistry Rachel Sauer Tue, 11/04/2025 - 11:47

Rachel Sauer

In May, campus leaders signed the Green Chemistry Commitment to practice and teach sustainable chemistry—an effort being encouraged and advanced by students

For much of the history of chemistry, the science was done how it was done—with fleeting or no thought given to things like lab energy consumption or the environmental persistence of toxic chemicals used in experiments. Those things were simply considered the wages of scientific progress.

As early as the 1940s, however, some chemists began asking if there were better, less hazardous, less environmentally damaging ways to do the science. By the 1990s, chemists Paul Anastas and John Warner had given a name to this new approach: green chemistry. In their 1998 book Green Chemistry: Theory and Practice, they detailed the 12 principles of green chemistry, which include preventing waste rather than trying to treat it or clean it up after the fact and designing chemical products to preserve efficacy of function while reducing toxicity.

Since that time, green chemistry has become a movement as universities and labs around the world evolve the practice and teaching of chemistry to reduce its impact on environmental and human health and safety.

In May, ��ɫ��Ƶ Chancellor Justin Schwartz and Department of Chemistry Chair Wei Zhang signed the Green Chemistry Commitment, not only committing ��ɫ��Ƶ to green chemistry in practice and principle but joining a worldwide network of universities working to expand the community of green chemists and affect lasting change in chemistry education.

The ��ɫ��Ƶ has been very involved in the green chemistry movement, and in May Chancellor Justin Schwartz and then-Department of Chemistry Chair Wei Zhang signed the Green Chemistry Commitment, not only committing ��ɫ��Ƶ to green chemistry in practice and principle, but joining a worldwide network of universities working to expand the community of green chemists and affect lasting change in chemistry education.

“Signing (the Green Chemistry Commitment) is an important step toward integrating green chemistry into curriculum, theory, toxicology and lab applications,” says Forrest Yegge, chair of the Green Chemistry CU Student Government (CUSG) Environmental Board subcommittee and a junior studying philosophy and ecology and evolutionary biology.

“Social justice-wise, I think it’s our responsibility to be more aware of the effects we are having on the environment,” adds Jules Immonen, a first-year student studying chemistry who serves as secretary of the CUSG Environmental Board. “Obviously, sustainability is something I’m passionate about, but even people who aren’t should be able to learn how to incorporate these practices in an easy way.”

Doing better chemistry

��ɫ��Ƶ’s embrace of green chemistry has been growing for years, says Kathryn Ramirez-Aguilar, ��ɫ��Ƶ Green Labs Program manager. The Department of Chemistry and Green Labs have been partnering on green chemistry efforts on campus, leading initiatives on everything from education opportunities to sustainable lab practices. Signing the Green Chemistry Commitment (GCC) is an important step, Ramirez-Aguilar says: “It’s a huge opportunity to involve students in designing curriculum, and it aligns with CU’s Climate Action Plan outlined last year.” In fact, she adds, members of the CUSG Environmental Board have been at the vanguard of bringing the GCC to the attention of campus leadership.

Ashley Ley, a chemistry graduate candidate and member of the Green Chemistry CUSG Environmental Board subcommittee, emphasizes that green chemistry is most importantly about practice, not just theory. “If you look at someone like Dr. (Jacquie) Richardson, she’s been making changes to methods, working toward greener methods using less harmful chemicals in the Organic Chemistry Teaching Labs. In Organic Chemistry 2, there’s a lab focused on atom economy, and one of the previous (Green Labs Chemistry) team leads worked with Dr. Richardson to incorporate acetone recycling, so now organic chemistry teaching labs only use recycled acetone for cleaning.

“These labs have also started using water recirculatory buckets because there are reflux reactions where you need a ton of water and normally it would go through the condensers and down the sink. Now it’s being recirculated, and we’re saving a lot of water. Last summer, they incorporated no-touch doors in the labs [as part of a collaborative project with Green Labs], so you can get in and out of the labs without having to take off your gloves.”

In another campuswide green chemistry application, Amrita George, a professional research assistant of many years in the Department of Integrative Physiology and volunteer lead for the Green Labs Team, is working on introducing a chemical sharing initiative in which research labs share chemicals within their research building.

Kathryn Ramirez-Aguilar (left), ��ɫ��Ƶ Green Labs Program manager, and Matt Wise (right), director of chemistry instruction and Department of Chemistry associate chair, give a presentation about incorporating green chemistry into the introductory chemistry curriculum. (Photo: Kathryn Ramirez-Aguilar)

“This has a lot of support from the Environmental Health and Safety group,” George says. “It aligns with one of the principles of green chemistry, which is to reduce the total amount of hazardous chemicals used and, therefore, waste created. [The initiative] allows researchers to see the chemical inventory of other labs within their building and share amongst themselves rather than ordering new stocks for each lab, which is usually what researchers do. Often these stocks sit on the shelf and expire before the lab ever uses them again.”

Ramirez-Aguilar adds that the chemical sharing initiative is also a money saver for labs by reducing purchasing—which also benefits a reduction in carbon emissions similar to a campuswide focus on reducing labs’ energy consumption, as labs are among the most energy-intensive spaces on campus.

Valentina Osorio, a chemistry graduate student and member of the Green Chemistry CUSG Environmental Board subcommittee, adds that General Chemistry teaching faculty have adapted student experiments and lab processes so that they can use drops of a chemical rather than milliliters of it. This makes a significant difference when thousands of students are conducting the experiments each year.

Performing research sustainably

While the benefits of green chemistry practice and teaching are broad and affect many communities and populations, among those most affected are students, says Ana Curry, a chemistry graduate student and member of the Green Chemistry CUSG Environmental Board subcommittee: “I’m currently working in materials chemistry, and I believe strongly that if my research is focused on sustainability, I should also be performing that research sustainably.”

Osorio notes that while her research focus is environmental chemistry, “I’m studying the impacts of air and water pollution, and while I’m not really synthesizing anything, what I’m researching is largely impacted by what humans are doing.”

Yegge adds that in addition to the environmental and social justice benefits of green chemistry, “as I prepare for grad school and I’m increasingly worried about securing funding, I think that sustainable practices on campus and in labs are crucial for resilience in academia and in research. We need to be adopting these strategies so we can keep doing the science we’re doing.”

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In May, campus leaders signed the Green Chemistry Commitment to practice and teach sustainable chemistry—an effort being encouraged and advanced by students.

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Remembering Jane Goodall’s vision for the future

Rachel Sauer — Mon, 03 Nov 2025 23:34:55 +0000

Remembering Jane Goodall’s vision for the future Rachel Sauer Mon, 11/03/2025 - 16:34

Laura DeLuca

The renowned scientist and environmental advocate instilled hope and fostered conservation relationships that prioritized local knowledge and involvement; she also had strong connections to ��ɫ��Ƶ

Long before I conducted anthropological fieldwork in East Africa, taught secondary school mathematics in Kenya and directed a global seminar in Tanzania, I admired Jane Goodall. As a hardy teen growing up in the Baltimore suburbs, I worshipped Goodall because of her love for chimpanzees, her intelligence, her compassion and her sense of adventure.

I hesitate to admit that, as a compact, muscular teen, I also coveted Goodall’s long, lanky legs, smooth blond ponytail and British matched-set-khaki-with-binoculars look. Like so many other American animal and nature lovers, I wanted to be like her.

I arrived in East Africa as a Peace Corps volunteer in Kenya nearly 30 years after Goodall left England to study chimpanzees near Gombe, Tanzania. I am 30 years her junior and arrived in East Africa at the same age she did—mid-20s. In my case, I was assigned to teach at Bishop O’Koth Secondary School outside of Kisumu, Kenya.

Laura DeLuca is an anthropologist, director of the ��ɫ��Ƶ Global Seminar Tanzania and guest director for the Global Seminar: Sustainability & Social Entrepreneurship in Bali, Indonesia. She also is a faculty member in the Stories and Societies Residential Academic Program.

One thing I really admired about Goodall was that she was humble and moved beyond the “white savior” model of conservation—even while benefitting from it. While Goodall was a product of her time and was inspired by books starring Tarzan and Dr. Doolittle—whose core stories now seem to have colonial underpinning—she recognized the importance of community-based conservation efforts that met the needs of Tanzanian residents. That was in contrast to some other non-native researchers, who were often hostile to locals because they believed they were a threat to conservation efforts.

I was teaching about the fortress conservation model in my ANTH 1155 course in Sewall on Oct. 2, the day after Goodall passed away. My students discussed Jim Igoe’s book Conservation and Globalization, about Tanzania and Maasai evictions, so it was in the forefront of my mind.

I held a moment of silence to honor Goodall, following which one of my students, Micah Frye, reminded me that Goodall visited Whittier Elementary School in Boulder in 2013. During her visit, Goodall spoke about her “Roots & Shoots” program, which focuses on youth education in environmental and humanitarian issues.

I teach about fortress conservation in ANTH 1155 because it has a big impact in Africa. It is a conservation model focused on creating protected areas, like Gombe National Park, from which human activity is excluded to safeguard biodiversity from perceived local threats. This approach, often rooted in colonial practices, frequently leads to the forced eviction of indigenous communities and local peoples, undermining their rights and cultural practices.

Goodall moved beyond the fortress model, even as she saw the importance of the national park status that her second husband helped secure for Gombe. To move beyond a fortress model, she founded the Jane Goodall Institute (JGI) to inspire people not only to protect great apes and their habitats, but also to create a more harmonious world for all living things, including humans. The Institute’s work includes ongoing scientific research on chimpanzees and community-centered conservation programs to protect species and habitats and help communities realize the benefits from ecotourism. It also includes the Roots & Shoots program to empower youth to create positive change for animals, people, and the environment.

In fact, Goodall wrote the preface to The Solutionary Way, an inspiring book I am using in my Innovating Sustainability SSIR 1010 in Sewall’s Stories and Societies Residential Academic course. In early October, after Goodall’s passing, students wrote a reflection assignment on Goodall regarding lessons that inspired them.

I also appreciate Goodall’s work to hire Tanzanian researchers and scientists in a field that was historically dominated by ex-patriate Europeans, British and Americans. In addition to current Tanzanian leaders Freddy Kimaro, Deus Mjungu, Esther Sabuni, Mwanang’ombe and Erasto Njavike, Goodall hired my dear grad school friend Shadrack Mkolle Kamenya. During our time as graduate students at ��ɫ��Ƶ in the mid-1990s, we spent hours studying together in Hale Anthropology Building (which Kamenya found creepy at night since the Nubian mummies were stored on the bottom floor).

Kamenya told me stories of his youth, including how as a child playing alongside the lake shore, he used to see Goodall taking a small motorboat on Lake Tanganyika to get to her research. He and his friends nicknamed her the “mzungu was Kasekela” or the “white lady of Kasekela.” (Kasekela is a forest in Gombe.)

Kamenya was the first Tanzanian director of research at the Jane Goodall Institute (JGI). He worked with the JGI for nearly 30 years in research, conservation and education before retiring in 2025 and lives in Kigoma, Tanzania. From August 1997 to 2005, he managed chimpanzee research at the Gombe Stream Research Centre (GSRC) in Gombe National Park.

Kamenya and I have been communicating more since he has retired, and I sent him a WhatsApp message after Goodall died on Oct. 1, asking about their interactions. He recalled how she cared and spoke for nature, which came from her heart, and how her wisdom and knowledge enabled her to talk with all kinds of people: young and old, politicians and leaders, poor and distressed.

In his section of the book Jane Goodall at 90: Celebrating an Astonishing Lifetime of Science, Advocacy, Humanitarianism, Hope and Peace, Kamenya wrote, “What a privilege to be around somebody who makes use of the time she gets on the planet to do the best she can for the environment, other people and biodiversity and very little for herself.”

Shadrack Kamenya (PhDAnth'97) was the first Tanzanian director of research at the Jane Goodall Institute, working for nearly 30 years in research, conservation and education before retiring in 2025. (Photo: Laura DeLuca)

Goodall’s Colorado connections

The IMAX film “Discovering Chimpanzees: The Remarkable World of Jane Goodall” was part of an exhibit at the Denver Museum of Nature and Science in 2003. I literally gasped in the middle of the dark theater when I saw pictures of Kamenya in the film, which I attended with my friend Karen Cockburn of Africa Travel.

That was just one of many Colorado connections to Goodall that I’ve experienced. She had many friends in Boulder, especially close colleague and collaborator Marc Bekoff, professor emeritus of ecology and evolutionary biology at ��ɫ��Ƶ. Bekoff is not only a fellow of the Animal Behavior Society and a past Guggenheim Fellow; he was also an ambassador for Roots & Shoots.

Herbert Covert, a ��ɫ��Ƶ professor emeritus of anthropology, also was connected to Goodall through Kamenya: He served as Kamenya’s dissertation adviser and noted that she “aided Kamenya when it was most needed.” To elaborate, funding outside of ��ɫ��Ƶ that had been promised to support Kamenya’s PhD training did not come through for reasons that were not related to Shadrack’s academic progress. Covert and Kamenya pursued several other funding avenues with limited success until Goodall learned about Kamenya. Not only did Goodall help arrange for Kamenya’s dissertation research in the Gombe, but she also provided most of the necessary financial support needed to allow him to finish his degree.

Goodall also influenced Covert’s research of the behavioral ecology and conservation of endangered colobine monkeys and gibbons of Vietnam. He recalls her as a “sweet person.” Covert reports that he modeled his engagement with Vietnamese colleagues after what he had learned from Goodall; specifically, he requested that they set the research agenda. Thus, Covert and colleagues shared activities that met the needs of local communities with trust and respect.

Partly because of her close connections with Bekoff, Goodall visited Boulder frequently. I remember seeing her on Oct. 1, 2015, at the sold-out CU Events Center, where she gave the 50th George Gamow Memorial Lecture.

At the beginning of her presentation, Goodall charmingly demonstrated her famous chimpanzee call—a vocalization known as a “pant-hoot”—captivating the Boulder audience and bringing her message to life. She learned to mimic this call during her time observing chimpanzees in Gombe and used it as a distinctive greeting. In the talk, Goodall told the students in attendance, “You’re lucky. You live in Boulder, where there really is concern for the environment (and) where wonderful things are happening. We want that to spread around the world.”

Jane Goodall gave the 50th Gamow Lecture at ��ɫ��Ƶ Oct. 1, 2015.

On the same day as her talk at ��ɫ��Ƶ, Goodall, who was 81 at the time, planted trees at Horizons K-8 Charter School. On the same trip, she took time to speak with inmates at the Boulder County Jail who were part of one of Goodall’s Roots & Shoots program, run with great passion for more than 15 years by Bekoff. The Roots & Shoots program was so effective that Goodall expanded it to other jails.

In 2018, Goodall taught a free online course through ��ɫ��Ƶ for K-12 teachers—a partnership between ��ɫ��Ƶ and Roots & Shoots.

Participants in the six-week class had access to more than 13 hours of service-oriented training and activities with Goodall and Roots & Shoots staff. The course, offered through Coursera, along with other Massive Open Online Courses (MOOCS), taught participants how to identify and implement a local service-learning campaign using the Roots & Shoots program model. The service-learning curriculum equipped participants with education resources to discover the differences between service-learning and community service and apply the Roots & Shoots model to help youth have a voice in identifying and addressing needs in their community.

“There are many reasons to be hopeful for the future of our planet, but perhaps most inspiring is the energy, commitment and hard work of young people who we can empower as they grow to be better, more compassionate decision makers within their society,” Goodall said at the time. “I am so glad that through this Roots & Shoots online course collaboration with ��ɫ��Ƶ, we’re able to share a message of hope and a call to action with a wider audience than ever before.”

Laura DeLuca is the director of the Global Seminar Tanzania and guest director for the Global Seminar: Sustainability & Social Entrepreneurship in Bali, Indonesia, an anthropologist and a faculty member in the Stories and Societies Residential Academic Program.

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Top image: Jane Goodall in Gombe National Park (Photo: Simon Fraser University/Flickr)

Students finding strength in numbers

Rachel Sauer — Wed, 29 Oct 2025 20:57:16 +0000

Students finding strength in numbers Rachel Sauer Wed, 10/29/2025 - 14:57

Rachel Sauer

Started by ��ɫ��Ƶ applied mathematics Teaching Professor Silva Chang, Colorado Math Circle is celebrating 20 years of bringing middle and high school students together in a community that has fun with math

It’s not always easy to be the student who does math for fun.

Even if the other kids aren’t weird about it, they still might not understand, so sometimes it can be easier to just brush it off. “Oh, math? Yeah, it’s OK.” But no, math is wonderful.

When one of Silva Chang’s high school teachers showed her a brochure for the six-week Hampshire College Summer Studies in Mathematics (HCSSiM) program, she wasn’t necessarily doing math for fun in her free time, but she was very good at it.

Silva Chang, a ��ɫ��Ƶ teaching professor of applied mathematics, was inspired to start the Colorado Math Circle in part from her high school experience in the Hampshire College Summer Studies in Mathematics program.

“I think he knew that I needed to get out of the city,” recalls Chang, a ��ɫ��Ƶ full teaching professor of applied mathematics. “My parents were not college educated, they didn’t speak English, so I think he saw it as an opportunity that would open up my worldview.

“(HCSSiM) was a program where we did math 24-7, and it was the most fun I’ve ever had. I can say I wouldn’t be doing what I’m doing today if I hadn’t had that experience. (The program) was transformative, it made math really fun, it made it silly, it presented math as an art form that’s not just useful for practical applications, but that’s beautiful by itself.”

Chang’s experiences at HCSSiM inspired her 20 years ago to start the Colorado Math Circle, an extracurricular organization that offers opportunities and mentoring for middle and high school math enthusiasts around Colorado. Further, she was interviewed about how HCSSiM inspired her for the documentary “Hunting Yellow Pigs,” of which there will be a free screening at 3:30 p.m. Sunday, Nov. 2, in Benson Earth Sciences room 180.

“I knew of certain students along the Front Range—all top students, some nationally ranked—and I wanted to be able to bring them together so they would have peer support,” Chang explains of starting Colorado Math Circle in 2005. “Some students can find peers, but some can’t. If you say, ‘I enjoy doing math problems all day,’ people might laugh at you, and you might try to hide that interest. I thought there should be a place where students didn’t have to hide their enthusiasm for math.”

‘Come and enjoy math’

For Chang, an interest in math grew from attending John Dewey High School in Brooklyn, New York, a school with a nontraditional pass/fail grading system and a longer, eight-hour day that allowed students to take more classes and explore their interests.

If you go

What: Free special screening of “Hunting Yellow Pigs,” a documentary about the Hampshire College Summer Studies in Mathematics program

When: 3:30-5 p.m. Sunday, Nov. 2

Where: Benson Earth Sciences room 180

Chang’s parents had emigrated from southeast China, and while they may not have been intimately familiar with the vagaries of the U.S. educational system, they knew that education led to opportunity, Chang says. However, when Chang’s teacher suggested she attend the six-week HCSSiM, her parents initially didn’t understand the significance.

With some parental convincing and bolstered by her membership on a New York City-wide high school team of top math students, Chang applied and was accepted. Initially, her family was asked to pay a small amount to attend, “and my parents said no. They didn’t have a lot of money, but I don’t think that was their reason. They were nervous about me leaving home. So, someone from HCSSiM called me up and said, ‘You turned down the acceptance, can you tell us why?’ and I said the reason was financial, so they offered a full scholarship.”

HCSSiM was started by Hampshire College founding faculty member David Kelly, who died June 20. Program organizers describe it as “college-level mathematics for talented and highly motivated high school students. It is demanding and expanding. Participants spend a major portion of each day actively engaged in doing mathematics (not simply learning the results of mathematics).”

“(David Kelly) was running the program when I attended in the 1970s, and he set the tone,” Chang says. “He just made it fun. Some of us were coming from more competitive or grade-oriented backgrounds, but his perspective was, ‘Come and enjoy math. Math is fun, math is beautiful, get what you can out of this program, take away what you can.’ They were teaching fairly high-level math, but it wasn’t competitive at all. It was like, ‘Let’s all do math together, let’s all learn together.’”

Creating a community

Participants in the Colorado Math Circle engage in a hands-on math learning activity. (Photo: Silva Chang)

After Chang came to ��ɫ��Ƶ and her children entered high school, she began thinking that she’d like to create a program similar in spirit and practice to HCSSiM, where students could come have fun doing math with others who love it, too. She also thought about the New York City-wide math team of which she’d been a member and wondered if there was a way to combine the two.

In 2005, she began contacting Front Range high schools and students to assemble a 15-member team that would compete in the 2006 American Regions Mathematics League (ARML) national math competition at the University of Nevada. The team won first place in its division that year “and that was very motivating,” Chang recalls, “because we were competing against teams from around the country.”

Colorado Math Circle has sent a team comprised of students from around Colorado to that competition every year since, but after that first year Chang thought it was important to create a place for students who may not want to compete but who want to get together to do, discuss and learn math.

During the school year, students either come to the ��ɫ��Ƶ campus or participate in weekly problem-solving Zoom sessions. Initially created with a focus on high school students, Colorado Math Circle grew to include middle school students and help those who are interested prepare for the MATHCOUNTS competition.

“The first year we were more focused on preparing for competition, but after that we expanded it to a place where students could come learn about a variety of math topics,” Chang says. “Members of my department have come to give talks about their work, and we’ve been doing it long enough that we have math circle alumni coming back now.”

For the first 17 years of Colorado Math Circle, Chang was the sole director, but now program alumnus Thomas Davids serves as co-director and ARML coach.

In its 20 years, Colorado Math Circle has steadily grown; last year, more than 110 students from 45 Colorado schools participated. Over the years, students from as far as Grand Junction, Pueblo and Rangely have participated. “We don’t draw many students from any one school—the two largest are Fairview and Cherry Creek—it’s often one student from one school,” Chang says. “The main goal of the Colorado Math Circle is to teach students math, yes, and teach them problem-solving skills, but what we really provide is a community.

“These students teach themselves a lot of math, so the need we fill is helping them to create a community of friends who love math, too.”

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Top image: The 2023 Colorado Math Circle team that competed in the American Regions Mathematics League national competition, coached by program alumnus Thomas Davids (far left, holding plaque). (Photo: Silva Chang)

New learning center more than just a place to study math

Rachel Sauer — Mon, 20 Oct 2025 21:30:48 +0000

New learning center more than just a place to study math Rachel Sauer Mon, 10/20/2025 - 15:30

Rachel Sauer

The Applied Mathematics Community and Learning Center, opened last month after a summer-long renovation, invites students to collaborate, hang out and learn

In one corner of the common room, Ben Sewald is writing an equation on a whiteboard. A first-year ��ɫ��Ƶ student, he’s still deciding whether to major in aerospace engineering or applied mathematics but knows one thing for sure: Discrete math is his favorite class.

“The whole time before this, I’ve been learning math, but in this class it’s about how we can prove that these things are true,” he explains as he writes.

Ben Sewald, a first-year ��ɫ��Ƶ student, writes an equation for his discrete math class in the Applied Mathematics Community and Learning Center. (Photo: Rachel Sauer)

Not far from him, but on a different whiteboard, Atticus Fretz, a sophomore studying environmental engineering, is tutoring two Calculus I students, pointing with a blue marker to explain each part of the equation as he writes it.

And through the rest of the common area—and in the three classrooms arrayed from it—the hum of applied mathematics hovers around students solo studying or clustered in groups; around tutors explaining the finer points of differential equations, algorithms and data structures and every level of calculus; and around faculty members expanding on what they taught in class—but from the comfort of a lounge chair.

It’s the middle of a Thursday afternoon, and the Applied Mathematics Community and Learning Center (CALC) is hopping.

Opened last month after a summer-long, $1.7 million renovation of a section of a classroom wing in the ��ɫ��Ƶ Engineering Center, CALC is designed to be “a warm, inviting space for undergraduate students, especially engineering calculus students, to learn, hang out and work on their coursework,” explains Mark Hoefer, professor and department chair of applied mathematics.

The space, in ECCR 252, formerly was a computer lab, “but it wasn’t heavily used,” says Silva Chang, a full teaching professor of applied mathematics. “So, we started talking about creating a comfortable, welcoming place where students could feel at home and hang out with their friends while they study and learn.”

When it was a little-used computer lab, the space was darker and not especially comfortable, so the renovation included jackhammering through concrete walls and replacing them with glass to allow in natural light, painting the walls in lighter colors, replacing carpeting and lighting and arranging comfortable chairs and benches around the space.

“We want this to be a space that supports collaboration,” Chang says.

CALC will become a home to all-day drop-in office hours with faculty members and teaching assistants; tutoring with applied mathematics-trained tutors; small, learning assistant–led study groups; workshops on study strategies; and proactive student outreach, Hoefer says. Further, faculty and staff will continually work with students to assess how they’re using the space and what would improve or enhance their experiences in it.

“I think people are slowly discovering this space,” Silva says, gesturing to students grouped around tables and in comfortable chairs or writing on whiteboards. “It’s especially important for first-year students to have a place where they can find mentors and connect with classmates; those things are so important for student retention, so they can feel that this is a place where they belong.”

For Maxwell Minson, a first-year student studying bioengineering and, on this particular afternoon, writing Calculus 3 equations on a whiteboard, CALC is a place where “I feel really comfortable,” he says. “I’m here all the time.”

Atticus Fretz (kneeling, wearing purple hoodie), a sophomore majoring in environmental engineering, tutors Calculus 1 in the Applied Mathematics Community and Learning Center. (Photo: Rachel Sauer)

The Applied Mathematics Community and Learning Center offers drop-in hours with faculty members and teaching assistants as well as tutoring with applied mathematics-trained tutors. (Photo: Rachel Sauer)

Renovation of a little-used computer lab in the ��ɫ��Ƶ Engineering Center included replacing concrete walls with glass ones to let in more light, including one etched with the Department of Applied Mathematics logo. (Photo: Rachel Sauer)

Elizabeth Wallis McGuire (crouched, pointing at whiteboard), a junior studying electrical and computer engineering, tutors Calculus 1 in the Applied Mathematics Community and Learning Center. (Photo: Rachel Sauer)

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The Applied Mathematics Community and Learning Center, opened last month after a summer-long renovation, invites students to collaborate, hang out and learn.

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Three college staff members participating in leadership institute

Rachel Sauer — Tue, 14 Oct 2025 16:21:32 +0000

Three college staff members participating in leadership institute Rachel Sauer Tue, 10/14/2025 - 10:21

Jessica Brunecky, Janelle Henderson and Stephanie Colunga Montoya will participate in the 39th annual Academic Management Institute facilitated by the Colorado and Wyoming Network of Women Leaders

Three ��ɫ��Ƶ College of Arts and Sciences staff members have been invited to participate in the 39th annual Academic Management Institute (AMI) facilitated by the Colorado and Wyoming Network of Women Leaders, an affiliate of the American Council on Education.

Jessica Brunecky, senior strategic advisor and director of divisional affairs for the Division of Social Sciences; Janelle Henderson, program manager of the College of Arts and Sciences Honors Program; and Stephanie Colunga Montoya, director of student access and engagement for the Division of Natural Sciences, will join with higher education professionals from across Colorado and Wyoming to develop as leaders and foster excellence in the region’s colleges and universities.

AMI 2025-26 is comprised of five in-person sessions—the first of which will be Thursday and Friday in Vail—that feature presentations and workshops by higher education leaders and subject experts from Colorado and Wyoming. AMI is designed to be a professional development opportunity that fosters a cohesive cohort dynamic and enables participants to hone their leadership toolkit while forging connections with peers across the region’s academic institutions.

“I look forward to exploring ways to strengthen my ability to make structural and institutional change,” says Brunecky. Colunga Montoya notes that she is looking forward “to meeting other amazing women doing important work in higher education and gaining wisdom and knowledge that is shared.”

Every AMI participant is asked to design a passion project that serves the needs of their institution, which they will introduce at the Oct. 16-17 seminar and present a March 5-6 seminar at the University of Denver.

Each of the seminars centers on timely and topical themes, including leading in ever-changing higher education, influencing campus culture, the future of higher education and developing leadership strengths.

“I’m excited to expand my leadership skills and build meaningful connections with other higher education leaders,” says Henderson.

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Jessica Brunecky, Janelle Henderson and Stephanie Colunga Montoya will participate in the 39th annual Academic Management Institute facilitated by the Colorado and Wyoming Network of Women Leaders.

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Top image: Jessica Brunecky, Janelle Henderson and Stephanie Colunga Montoya

Building a digital home for Arapaho, one sentence at a time

Rachel Sauer — Mon, 13 Oct 2025 15:54:34 +0000

Building a digital home for Arapaho, one sentence at a time Rachel Sauer Mon, 10/13/2025 - 09:54

Cody DeBos

��ɫ��Ƶ linguistics scholar Andrew Cowell helps Arapaho stories find new life online

The Arapaho words beteen, meaning “sacred,” and beteneyooo, “one’s body,” have a special connection for those who speak the language. Their linguistic similarity isn’t a coincidence.

Andrew Cowell, a ��ɫ��Ƶ professor of linguistics and faculty director of the Center for Native American and Indigenous Studies (CNAIS), says the Arapaho see it as a lesson encoded in the language. “It indicates that the body is sacred and therefore we have to protect it,” he says.

Such examples of cultural knowledge don’t always survive translation. That’s exactly why Cowell’s belief in the importance of preserving Indigenous languages led him to redirect the entire trajectory of his career.

��ɫ��Ƶ linguist Andrew Cowell, faculty director of the Center for Native American and Indigenous Studies (CNAIS), has partnered with a host of collaborators including CU students, community partners and native speakers to build digital tools to protect and revitalize the Arapaho language.

It’s also why, for the past two decades, he and a host of collaborators including ��ɫ��Ƶ students, community partners and native speakers, have been building digital tools to protect and revitalize the Arapaho language.

Cowell didn’t originally come to ��ɫ��Ƶ to work on Arapaho, but he has long been curious about Indigenous languages, in part thanks to his personal connection to Native Hawaiian culture through his wife.

“Arapaho was the native language of Boulder, so when I got hired at CU I decided, well, I’ll look into Arapaho,” he recalls. “I started looking into Arapaho more and more and doing more work on the side and eventually decided to switch departments into linguistics so I could focus all my energy on indigenous languages.”

Two databases, one goal

Today, Cowell’s work on Arapaho takes two forms: one, an online lexical database; the other, an unpublished, in-depth text database of natural language conversation and narratives.

The lexical database, freely accessible online, functions like a living dictionary. With more than 20,000 entries and a searchable interface, it’s often used by learners across the Arapaho-speaking world in place of print dictionaries, according to Cowell.

But a larger effort has quietly been taking shape behind the scenes.

The text database, which is not publicly released, contains more than 100,000 sentences of spoken Arapaho. Among them are natural conversations and stories recorded over decades.

“At this point, I’ve got over a hundred thousand sentences of natural speaking that I have not only recorded, but also transcribed into written Arapaho, translated into English, and then it has linguistic analysis attached as well,” Cowell explains.

The database is the backbone of several major projects, all with the goal of making learning Arapaho more accessible and preserving it for future generations. One effort is a student grammar dictionary that focuses on the most useful and common words.

“We’ve gotten a list of the frequency of all the nouns in the language and all the verbs," Cowell says. "We ranked those, and it allowed us to produce a really small student dictionary where we only included words that occurred around 40 times or more.

“It means (students) don’t have to flip through rare and uncommon words they’re unlikely to be really interested in as initial learners.”

A pathway for new learners

Beyond the student dictionary, Cowell and his team are working on developing a scaled curriculum for teaching Arapaho. It guides learners from basics to more complex concepts across sequential levels based on real-world language use patterns.

Young Arapaho dancers (Photo courtesy the Wind River Casino)

“We’ve developed 44 steps of knowledge, and even within that there's 23a and 23b and so forth,” he says. “It’s all based on looking at the text we've collected and looking at the frequency of certain kinds of grammatical features that occur.”

Unlike French or Spanish, Arapaho wasn’t historically taught in a classroom but passed down through families at home. Cowell’s team has had to build an instructional framework from the ground up.

“With Arapaho, no one’s really ever tried to teach it as a second language. Now we’re trying to learn it and teach it, and the databases have allowed us to really produce that scaled curriculum,” Cowell says.

Generations of trust

Ensuring that his work isn’t just academic has been a priority for Cowell since the start. The database project is built on decades of trust between himself and the Arapaho community.

“The one thing Native American communities have often had problems with in the past is someone comes in, does their research, then disappears. Then the community is left wondering what they are getting out of it. In some cases, nothing,” Cowell says. “I worked hard to establish that I really want to learn the language and ensure my work is something that will feed back into the community and help out.”

That commitment has led to rich partnerships, sometimes spanning generations.

“We’re close to having 100 different native speakers represented in our data. At this point we’ve got grandparents and now their kids are working on it,” Cowell says.

A worthy effort

From a linguist’s perspective, Cowell explains, Indigenous languages expand our understanding of what language, and indeed human cognition, can do.

“We’re close to having 100 different native speakers represented in our data. At this point we’ve got grandparents and now their kids are working on it.”

“There are many cases in the history of linguistics where people have made a claim like ‘no language could possibly do this,’ and then someone goes to the Amazon and discovers a language that does it,” he says.

More importantly, the motivating force that has kept Cowell working for over twenty years comes from the Arapaho speakers themselves.

He says, “In my experience, Native American communities are very invested in their language. They see it as really crucial, central to their identity.”

That’s why the full text database hasn’t been released publicly, especially with growing concerns about how the data might be used or exploited by artificial intelligence. Still, Cowell and his team are taking steps toward broader access.

A grant from the National Science Foundation will support the release of 5,000 carefully selected sentences from the text database for public use. The snippets, which have been approved by native Arapaho speakers, will be available online with additional computational linguistic labeling.

As for Cowell, he says that even after 20 years, he never tires of seeing the work evolve. He hopes it shows CU students what’s possible when you follow your curiosity.

“You never know where you’re going to end up and what results are going to come out of something. You just have to trust that research is going to turn out to be interesting. You can’t necessarily predict when or where.”

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��ɫ��Ƶ linguistics scholar Andrew Cowell helps Arapaho stories find new life online.

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Top image: "Two Riders Leading Horses" by Arapaho artist Frank Henderson, ca. 1882 (Photo: Metropolitan Museum of Art)

Long live the King in modern music

Rachel Sauer — Wed, 01 Oct 2025 00:51:19 +0000

Long live the King in modern music Rachel Sauer Tue, 09/30/2025 - 18:51

Rachel Sauer

In what would have been B.B. King’s 100^th birthday month, ��ɫ��Ƶ music scholar Shawn O’Neal considers how the legends of blues can be heard in even the fizziest pop of 2025

B.B. King was born to sharecroppers on a cotton plantation in Leflore County, Mississippi, and began his musical career in the church choir, teaching himself to play guitar while listening to the “King Biscuit Time” radio show.

Sabrina Carpenter was born in Quakertown, Pennsylvania, and began posting videos of herself singing Adele and Christina Aguilera songs on YouTube around age 10. As a teenager, she starred in the Disney Channel series “Girl Meets World.”

Culturally and musically, they’re about as different as two artists can be. But if the roots of rock ‘n’ roll and even pop grow from blues—which they do—then it should be possible to hear B.B. King and other legends of blues in the sly pop confections of Sabrina Carpenter.

Shawn O'Neal is a ��ɫ��Ƶ assistant teaching professor of ethnic studies and Center for African and African American Studies executive committee member.

So, Shawn O’Neal, a ��ɫ��Ƶ musicologist and assistant teaching professor of ethnic studies, cues up Carpenter’s song “Manchild,” currently No. 6 on the Billboard Top 100: “Right away, the first thing I hear is that call and response of where she’s singing something and then answering her own question or statement back to herself,” he notes. “Call and response is such a foundation of blues music—whether Sabrina Carpenter knows that or thinks about it, or even has to, she got that from somewhere.”

Further, he asks, who were some of the first to sing about taking care of business—working all day, making a home at night—while a no-good partner is off catting around? The women of blues.

“They were the first to talk about sexuality, to talk about the issues they were having with their partners, even sometimes to talk about the fact that they were having love interests of the same sex,” O’Neal says. “All of those tropes are very defined in (Carpenter’s) music, and then there’s just that drumbeat, that very four-on-the-floor beat that’s a hallmark of blues. I think you could take that Sabrina Carpenter song and turn it into a blues song very easily.”

And it’s not just Carpenter. Even on current Top 40 lists that seem to owe more to computers and electronics than to the sawdust floors of Delta juke joints, blues touchpoints are audible. B.B. King, who died in May 2015 but would have turned 100 this month, and other legends of blues live in the music of 2025.

“B.B. King, Robert Johnson, Ma Rainey—I hear them in all this pop music,” O’Neal says. “I can’t not hear it, because it’s there; it’s in the DNA.”

‘What they call rock ‘n’ roll’

In 1957, a Hearst interviewer asked rock ‘n’ roll pioneer Fats Domino, “Fats, how did this rock ‘n’ roll all get started, anyway?” and Domino replied, “Well, what they call rock ’n’ roll now is rhythm and blues. I’ve been playing it for 15 years in New Orleans.”

It was an acknowledgment that what felt revolutionary and sonically groundbreaking was actually a long time coming—the latest brick in a long- and well-established foundation.

It’s a direct lineage, O’Neal says: Pop grew from rock ‘n’ roll; rock grew from blues, jazz and gospel; which grew from spirituals and field hollers; and those were first-generation descendants of African musical and narrative traditions brought to North America by enslaved people.

“Spirituals were sung in the cotton fields on the plantations,” O’Neal explains. “People were creating this music as subliminal communication, and the enslavement masters didn’t understand what they were talking about. They had to create a new language, and so much of it was speaking to spirituality—save us, help us, let me find some solace. It comes from pain and struggle and being completely removed from who you are, and we can sugarcoat it and syrup it up, but foundationally that’s where American music is coming from.”

Though the roots of American music are twisting and complex—and also woven of European folk and classical traditions—there’s a through line of African American musical tradition, O’Neal says. Gospel evolved from spirituals and give birth to its lyrically secular offspring of blues, which birthed jazz, rock and pop, as well as the direct descendants that are rap and hip-hop.

��ɫ��Ƶ music scholar Shawn O'Neal notes that blues legends like B.B. King stood on the shoulders of musical giants such as Sister Rosetta Tharpe (pictured above), Lead Belly and Robert Johnson. (Photo: Wikimedia Commons)

The earliest blues artists began developing a distinctive sound that became known for 12-bar chord progressions—a form based on the I, IV and V chords in a musical key—that are fundamental to the blues genre and are prominent in rock ‘n’ roll, O’Neal says. Classic blues music also followed a pattern of one line being repeated four times in a verse, which 20th-century artists evolved the AAB pattern that became the blues standard: a three-line verse structure in blues music where the first line (A) is repeated, and the third line (B) offers a conclusion or response, often using a "question-question-answer" pattern within a 12-bar blues progression.

Blues legends like B.B. King, who stood on the shoulders of musical giants such as Lead Belly and Robert Johnson and Sister Rosetta Tharpe, experimented with the foundational elements of blues, which also included the “walking bass” rhythms and pitch-flattened “blue notes,” and broadened the sound and scope of the genre. Rock and pop, as well as myriad blues subgenres, were natural progressions, O’Neal says.

Drenched in the blues

Even now, as cross-pollinated and subdivided as music is, O’Neal says, listeners hear the blues regardless of whether they recognize it: “For example, when you think about the foundations of electronic music or EDM, we’re talking about house music, and those DJs were originally playing rhythm and blues records. And in pop, you hear that foundation of disco, and they were also playing soul and rhythm and blues in the clubs.

“None of this music being played today was conjured out of thin air; it’s based on musical traditions that go back 100, 200 years.”

He adds that in hip-hop culture, B.B. King has been sampled from the earliest days of the genre “because those were the records in our parents’ record collections. And obviously it’s never been just Black artists who’ve sampled and built on the blues. If you start at a place like Led Zeppelin, they obviously were heavily influenced by B.B. King and just drenched in blues, Jimmy Page especially. You take songs like ‘Since I’ve Been Loving You’ or ‘The Song Remains the Same’ and slow them down to that really draggy riff—that’s blues.”

When O’Neal has taught students to hear these influences in Reiland Rabaka's Introduction to Hip Hop Studies classes and Critical Survey of African American music, “they come up to me after almost every class saying, ‘I never knew that was in there.’”

The challenge, he says, is respecting the artistic quest for newness and innovation while acknowledging and honoring the foundation on which it lives.

“As an artist, you have to understand that even if you want to think it’s your own original song, it’s still based off things that already happened,” says O’Neal, who also is a renowned DJ and musician. “Taylor Swift? Well, that’s Motown, that’s what she’s doing—three chords, simple progressions, prominent melodies, emotional lyrics. Whether artists now want to acknowledge it or not, the sounds they’re playing started a long time ago.”

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In what would have been B.B. King’s 100th birthday month, ��ɫ��Ƶ music scholar Shawn O’Neal considers how the legends of blues can be heard in even the fizziest pop of 2025.

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Top image: B.B. King playing at the University of Hamburg in November 1971. (Photo: Heinrich Klaffs/Wikimedia Commons)

We Are Art Buffs building an arts community

Rachel Sauer — Thu, 25 Sep 2025 19:40:21 +0000

We Are Art Buffs building an arts community Rachel Sauer Thu, 09/25/2025 - 13:40

Rachel Sauer

At Sept. 17 gathering, representatives of the arts at ��ɫ��Ƶ, in Boulder and across the Front Range built connections in the nascent We Are Art Buffs initiative

First, the question: What is an art buff?

“There is a journey within this question that speaks to the heart of what we are trying to curate,” said John-Michael Rivera, dean of arts and humanities in the ��ɫ��Ƶ College of Arts and Sciences. “We’re fostering not simply an appreciation of the arts but cultivating a lived and embodied inquiry into the creative. To engage the arts is a trait that all should appreciate in daily life.”

Then the idea: What if ��ɫ��Ƶ was the heart of the arts in Boulder, on the Front Range and in Colorado—a place where every student is supported in creative inquiry; where partnerships are made and strengthened between the university, artists and arts organizations in communities across Colorado and, someday, the nation; where there are infinite paths to the infinite ways of engaging with the arts?

John-Michael Rivera (at podium), dean of arts and humanities, speaks at the Sept. 17 We Are Art Buffs gathering.

So, dozens gathered Sept. 17 in Norlin Library, representing the arts at ��ɫ��Ƶ, in the broader Boulder community and across the Front Range—taking steps and building connections in an initiative called We Are Art Buffs.

“From the very beginning—18 months ago, 19 months ago—we said, ‘Let’s really start talking about the arts at CU and have more pathways and connections with the community around us,’” Rivera said, addressing leaders from organizations including the Museum of Boulder, the Clyfford Still Museum, the City of Boulder Office of Arts and Culture, the Arvada Center, the Dairy Arts Center and many others.

“Right now is a tough time to be an artist, but it’s also a wonderful time to be an artist because the arts are really going to be the place that interprets this world we’re living in right now.”

��ɫ��Ƶ Chancellor Justin Schwartz noted the importance of the arts in “connecting us as people to one another and to ourselves. The arts not only provide richness to our lives, they provide unique and different types of connection to people. The fact that we are such a vibrant arts community is what makes us such a strong community in general.”

A key outcome of the partnerships that will grow through the We Are Art Buffs initiative is strengthening student success, Schwartz added: “We know successful learning experiences outside the classroom are vital to student success. We talk about student success internally, and we’re also going to be looking to our community to help us advance the success of our students.”

With community partnerships, Rivera said, “we can guarantee that our students find their way or, better yet, create new paths as they walk them; whether in the arts or arts-adjacent fields or any profession, our students will show employers what we already know: that creative inquiry transforms every career, transforms every life.

“We owe students a vision of their future, a future with all of us in it.”

“We know successful learning experiences outside the classroom are vital to student success," said ��ɫ��Ƶ Chancellor Justin Schwartz. "We talk about student success internally, and we’re also going to be looking to our community to help us advance the success of our students.”

We Are Art Buffs, Rivera added, also is about creating venues for coming together to create pathways and break down barriers between the university and the community. For those in attendance Wednesday, that could include many things, from the practical to the philosophical—from clearer information about parking on campus to broader access to venues on and off campus, expanded work-study opportunities for students and interdisciplinary research projects.

“We have space that’s available to rent—it’s kind of small but let us know if that’s something you’d be interested in,” said Tracy Travis with The New Local in Boulder. “Or if you’re interested in getting students involved in seeing how a nonprofit runs, seeing how a gallery runs, seeing how you can get the community involved.”

“We would love to open pathways between our student bodies,” said Erin Hauger, professor and chair of visual arts at CU Denver. “We have a great film program; we have a thriving visual arts program that I think has different majors than ��ɫ��Ƶ and we would love to infoshare and love to create different opportunities for students between downtown Boulder and downtown Denver.”

“We’re a giant building, so we have lots of possibilities for partnerships,” said Jen Clements, deputy director of the Dairy Arts Center. “One of the programs we have is our co-production program, which is a mechanism for early-career artists, for emerging artists to get their foot in a venue without the financial risk that is usually associated with getting your foot in a venue… and we also have ample volunteer opportunities always.”

Erika Randall, interim dean and vice provost of undergraduate education, also emphasized the importance of building connections between students and the arts outside of campus: “I have so many folks who are artists at heart or artists in major or art curious, and they only see it as way to extend the time to graduation and a way to disappoint their parents. We need help changing that story, and we need all of you to help in that because we know that the soft skills are not soft, they are hard-won and they are hard-fought.”

While the We Are Art Buffs initiative is in its nascent days, Rivera said that a foundational element is already in place, which is creating venues for coming together “in very perilous times. What is it we want to be as a collective? What is it we want to do for the arts? How are we going to create pathways and break down barriers between the university and the community? I hope this is the beginning of all of us getting together and thinking what we want for the future of Boulder, the future of Colorado, and then becoming a national model.”

Cindy Sepucha (holding microphone), artists and venues program manager for the City of Boulder Office of Arts and Culture.

Collin Parson (laughing), Arvada Center director of galleries and curator, talks with Chris Taylor, executive director of Museum of Boulder.

Jim Walker, ��ɫ��Ƶ Norlin Scholars teaching faculty member

A participant takes notes at the We Are Art Buffs gathering Sept. 17.

Attendees at the Sept. 17 We Are Art Buffs gathering responded to the question "What can we learn from your career experience about how to affect students?"

Did you enjoy this article? Subscribe to our newsletter. Passionate about the arts at ��ɫ��Ƶ? Show your support.

At Sept. 17 gathering, representatives of the arts at ��ɫ��Ƶ, in Boulder and across the Front Range built connections in the nascent We Are Art Buffs initiative.

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