Composition
Violin professor Charles Wetherbee starts 2017 with a new hope for the future of musical relations after an October trip to Cuba.
Andrea Ramsey hopes her piece about the Flint, Michigan, water crisis will move choral fans to activism.
During her career, Barbara Bentree (BME ’80) has collaborated with Mouseketeers, her husband and even her high school classmates. But through it all, the name of a fellow College of Music graduate kept coming up.
At Faculty Tuesday on Nov. 1, pianist Hsing-ay Hsu explores a few different compositional approaches with the astonishing genius of Beethoven and Chopin.
It’s a big week for Associate Professor of Composition Daniel Kellogg: One of the biggest pieces he’s ever written will have its world premiere at Boettcher Concert Hall in Denver.
On Monday evening, Nov. 7, music at ÌÒÉ«ÊÓƵ will be well represented on the East Coast when the College of Music puts on a showcase concert at Carnegie Hall’s Weill Recital Hall.
Student composer from the ÌÒÉ«ÊÓƵ workshop and present original opera scenes alongside their voice and opera peers at the CU NOW Composer Fellows' Initiative.
Hugh Lobel, a 2015 DMA graduate, is making it easier for anyone to compose their own music using his new platform, Music_SDP.
Composition alumnus Keane Southard is raising funds to write a symphony about the Appalachian Trail.
Faculty composer Carter Pann's piece "The Mechanics: Six from the Shop Floor" was named a finalist for the 2016 Pulitzer Prize in Music.